10/2/2023 0 Comments Jello mold cakeSurprisingly, back in the ’40s, people used a lot of curry powder, but they would only use an eighth of a teaspoon of curry powder. Collectors Weekly: I always assumed food from this period was boring and bland.Ĭlark: Well, it was blander, because people used spices a lot less than they do now. That’s easy to do with some stuff, like salt, but when you’re talking about things like cans of condensed tomato soup or ketchup, it’s a little more difficult to put those into a dessert. The other side is that many of the crazier recipes came from brand-specific cookbooks produced by companies trying to put their products into every single part of your meal. If you watch that show “Chopped” on Food Network, I kind of think that’s what the mid-century cook felt like: We have all these weird ingredients, and what are we going to make with them? Well, let’s try this. People were experimenting with all these things they had never seen or used before, and they didn’t quite know what to do with them. People were testing out these new things discovered in World War II, like foods from different cultures, and also changes in technology, like frozen foods, that made more food available to more people. The mid-20th century saw an explosion of changes in all of American culture. Make a cake faster, make a soup faster, or use frozen foods for shortcut cooking. They were trying to get housewives to try these new products and use all these new techniques to make your life easier. Her blog is an everyday cook’s version of the Julie & Julia project, featuring the food that real people made in mid-century America.Ĭlark recently gave us her experienced take on the marvels of mid-century eating, and the lessons contemporary cooks can learn from it.Īnn MacGregor displays the diversity of edible freezer options in a 1957 image from her “Cookbook For Frozen Foods.”Ĭlark: Experimental. Clark typically cooks one vintage meal per week, which she documents through scans of the original recipe, photos of her re-creation, and detailed tasting notes (often featuring amusing photos of her husband, Tom, attempting his first few bites). So when Ruth Clark took the obvious, and daring, step of actually making these retro recipes for her fascinating website The Mid-Century Menu, it’s not surprising she received a bit of hate mail. Today, foodies typically look back on this era with an upturned nose, preferring to mock its foods rather than eat them. Hence the debut of frozen airline foods and canned meat products like Spam. As Laura Shapiro explains in her book Something From the Oven: Reinventing Dinner in 1950s America, at the war’s end, packaged food companies realized they had to convince domestic consumers to purchase their wartime products or risk shuttering their businesses.Īs a result, during the late 1940s and early ’50s, a new crop of ideas about eating were thrust upon the public as the industry tried to “persuade millions of Americans to develop a lasting taste for meals that were a lot like field rations,” writes Shapiro. World War II spurred an industrial food boom, introducing many technologies to keep foods fresh longer, from freezing to dehydrating. Often the strangeness of this era’s food stemmed from innovations being tested on our nation’s taste buds. Above: Decked out in mid-century modern garb, Clark poses with a sour cream recipe book. Top: Shrimpy, gelatinous, mid-century bliss.
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10/2/2023 0 Comments Header space haven=) Alpha 12 - The Anniversary Update - Is Now Released! So do not worry, they are on their way into the game. There are still sounds missing from the game, we look to add more with time as we keep developing the game towards an indie gem. We want to aim to avoid overwhelming the sound space with too many sounds all at once. The sound volume of various elements is dynamic, it is based on the current zoom level. We have also added some sounds to characters, which you can hear when you are zoomed in close enough. We have added more sounds to most facilities of the game, such as consoles, industry facilities, power generators, power nodes and thermal regulators, and to many other facilities like the Kitchen and Arcade Machine. We've added more sounds and we also modified the overall sound space to not be as quiet as before. Last of the new Major features, but certainly not least! More sounds have been another much requested feature. The salvage robots also need to be researched and come with a home station, which they use to repair and recharge themselves at. Well, why stop at one robot! We are also introducing the Salvage Robot, a hovering type of robot capable of venturing out into derelict ships and stations, dismantling facilities and hauling crates with the help of its two robotic arms. The logistics robot uses the home station to repair and recharge itself at. Logistics bots have certainly been one of the most wished for feature, and we're happy to announce we are including them for Alpha 12! Logistics Robots need to be researched to be unlocked, and you'll get to build a logistics robot home station, which is capable of building such a robot. If one grabs everything there's bound to be a lot of crates, and while that should be the case (pun intended) it would be good to have some tools to try to ease it up a bit, too. Logistics overwhelmed! That has really been a theme with Space Haven. Cory Bice and Jeremy Lertola both served as engineer assistants and Peter Karlsson was credited as vocal producer. Martin performed percussion on the track and Payami provided percussion, bass, synths and piano. It was written by Katy Perry, Sia, Sarah Hudson, Max Martin and Ali Payami, and was produced by Martin and Payami. It was mixed at MixStar Studios in Virginia Beach, Virginia, by Serban Ghenea and John Hanes, and mastered at Sterling Sound in New York City by Randy Merrill. "Hey Hey Hey" was recorded at MXM Studios in Los Angeles, California, and at Wolf Cousins Studios in Stockholm, Sweden. Recording and composition Australian singer-songwriter Sia ( pictured in 2006) contributed to the writing of the song. Commercially, the song appeared on charts in Czech Republic, New Zealand and Sweden. For further promotion, Perry gave several live performances of "Hey Hey Hey", including those during her concert tour Witness: The Tour (2017–2018) and her four-day YouTube live stream Katy Perry Live: Witness World Wide (2017). The clip was filmed by Isaac Rentz in Beverly Hills, California and is set in the 18th century and the Ancien Régime, with the singer's outfits resembling those of the last Queen of France before the French Revolution Marie Antoinette and French heroine Joan of Arc. To accompany the track, a music video was uploaded onto Perry's official YouTube account on December 20, 2017. It was also compared to the works of American singer Britney Spears and New Zealand singer-songwriter Lorde. Music critics gave mixed reviews of "Hey Hey Hey", with some praising it as one of the highlights of Witness and others deeming it mediocre. Reviewers speculated that the song was also about the 2016 United States presidential election nominees Donald Trump and Hillary Clinton. "Hey Hey Hey" is a rock- and electronica-influenced, dark dream pop and electropop track about female empowerment. The song was written by Perry, Sia, Sarah Hudson, Max Martin and Ali Payami, while production was handled by Martin and Payami. It was sent to Italian contemporary hit radio stations on Januby Universal Music Group as the album's fifth single. As Katy listened to her latest tracks, she was frequently seen presenting her dog Nugget to the camera, drumming with her silverware and reminding the audience on multiple occasions that she had yet to brush her teeth for the day." Hey Hey Hey" is a song recorded by American singer Katy Perry for her fifth studio album Witness (2017). For the next hour, it was a bit surreal to see the artist sing and dance to her own music, which she insisted she doesn’t typically do. Since the live stream was in honor of Witness, Katy insisted that her team play the record while they made her breakfast. Nevertheless, Perry was excited to knock down her intricately engineered display. On Friday morning, Katy was excited to see the artwork in honor of her new album but expressed concern that 18-year-old domino artist Lily Hevesh was working for nine hours with few breaks and no sleep. While Katy was asleep, dreaming about her new album, an artist was busy working overnight in another room of the house to surprise the pop star with a domino display when she awoke. As she slept soundly, thousands watched and commented things like, “Is this legal?” and “Does she realize she’s being filmed?”Īn Artist Built Her Domino Artwork Overnight NYC High School Student Charged With Hate-Motivated Murder in Killing of Dancer O'Shae Sibleyīelow, find some of the weirdest moments that have happened (so far) on the Witness World Wide live stream:īecause the live stream began Thursday evening prior to the drop of Witness, a great deal of it showed footage of Katy sleeping in a very Truman Show-esque manner. 10/2/2023 0 Comments Teamworks at home time trackerIn T3 at -13 are Jodi Ewart Shaoff and Emma Talley (Team Hot John’s Girls) who earned the low fourball round of the week on Thursday with a -10, 60. Sitting in second behind Knight/Szokol are first-round leaders and last year’s runners up Matilda Castren and Kelly Tan (Team FinAsia), who shot an impressive 64 and 63 during rounds one and two before slightly cooling off with a 68 on Friday. Though a three-round lead is a comfortable position heading into final-round play, victory is not assured for the duo on what is sure to be a low-scoring day. During Thursday’s fourball round, Knight/Szokol shot the second-lowest round of the day with a 9-under 61. Playing well in foursomes could be the difference for the team heading into the final round, where the fourball format will mean lots of birdies and lower scores across the board. Yeah, and we didn't really make many mistakes…” I think we told each other yesterday ‘you can make birdies in alternate shot.’ I think you just kind of have to have the mindset like you can make birdies and just try to be aggressive and fearless rather than try not to make a mistake. So we tried not to psych ourselves out with alternate shot because it is such a hard format. Knight added, “Yeah, on this day last year I think we shot about 4-under. “I think after getting that first (foursomes) round under our belts, we played solid today and gave each other a lot of good opportunities.” We gave each other a lot of chances,” said Szokol, who finished T4 at last year’s event alongside Knight. 8, the two made the alternate shot format look easy, dropping three birdies right off the bat on 1, 3 and 4 and adding six more on the back at 11, 12, 14, 15, 16 and 18. With nine birdies on the day and a single bogey on No. But, with an impressive 25-foot putt for birdie, Knight drove the team’s sword deeper into their fellow competitors, securing a new 54-hole scoring record (192), the 18-hole foursomes scoring record (62), and a three-stroke lead at -18 going into the final round. If you still cannot access your account, please contact with your name and organization/team name.Walking up to the 18th green as the opening theme song from Game of Thrones played in the background, Cheyenne Knight and Elizabeth Szokol needed only a par to secure their place on the Iron Throne (the top of the leaderboard) and tie the Dow Great Lakes Bay Invitational 54-hole scoring record of 193 set by 2022 champions Jennifer Kupcho and Lizette Salas. This user can assist with troubleshooting by ensuring you have been correctly added to Teamworks. If you are having trouble logging in or do not know your Organizational Account (SSO) subdomain, please first contact your Organization or Team Superuser (main administrator for Teamworks) or IT Department. From here, you’ll be prompted to enter in your organization’s credentials (username & password) before logging in and being redirected back to your Teamworks app. Enter in your organization’s subdomain (ie: TW or Teamworks if my organization’s name was Teamworks ) then select Log In. Select, Use Organizational Account (SSO). Once added, you will then have access to login to Teamworks using your Organizational Account (SSO) credentials.įrom your mobile device, you will see a login page after selecting the Teamworks app. To login to Teamworks on your mobile device using your Organizational Account (SSO), you will first need to be added by an Organization or Team Superuser to Teamworks. Enter in your username and password you created for your account. Once invited, and your username and password have been created, you will have access to Teamworks!įrom your mobile device, you will see a login page after selecting the Teamworks app. To login to Teamworks on your mobile device, you will first need to be added and invited by an Organization or Team Superuser. Access Teamworks on-the-go using your mobile device to ensure you stay connected to all team and organization related information. |
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